Lindsay Zoladz Rebel Yells, of Passion and Fury And 27 more for a chaotic year:Ģ1 Savage and Metro Boomin, “Savage Mode II” Benny the Butcher, “Burden of Proof” Natanael Cano, “Trap Tumbado” The Chicks, “Gaslighter” City Girls, “City on Lock” Code Orange, “Underneath” Conway the Machine, “From King to a God” Drake, “Dark Lane Demo Tapes” Freddie Gibbs and the Alchemist, “Alfredo” Ariana Grande, “Positions” Hardy, “A Rock” Haux, “Violence in a Quiet Mind” Ian Isiah, “Auntie” Junior H, “Atrapado en un Sueño” King Von, “Levon James” Lil Durk, “Just Cause Y’all Waited 2” Lauren Mascitti, “God Made a Woman” John Moreland, “LP5” Jessie Reyez, “Before Love Came to Kill Us” Dua Saleh, “Rosetta” Sunday Service Choir, “Jesus Is Born” Myke Towers, “Easy Money Baby” Jessie Ware, “What’s Your Pleasure?” Waxahatchee, “Saint Cloud” The Weeknd, “After Hours” Hailey Whitters, “The Dream” YoungBoy Never Broke Again, “Top” But the unifier is Trifilio’s voice: sweetly pleading, sweetly exasperated, sweetly resigned, sweetly vengeful. She fronts Beach Bunny, a Chicago band that toys with flickers of garage rock, pop-punk and indie rock. Lili Trifilio writes chirpy songs about awful sadness. And less than two weeks after “SIGN” appeared, Autechre suddenly released another hour of music on the more aggressively disorienting “PLUS.” ( Read the interview.) Yet moment to moment in Autechre’s algorithmic realm, anything can happen. The general tone is thoughtful and consonant but with jittery undercurrents, fitting for a year of quarantine. The ever cryptic, ever exploratory electronic duo Autechre greeted 2020 with something approaching moderation and introspection, releasing a single CD (as opposed to the marathon “NTS Sessions” from 2018) with 11 tracks that usually accept the regularity of a beat. She remakes Charles Mingus, the earthiest jazz avant-gardist, on a few tracks, nodding toward an inspiration. On “Mama, You Can Bet!,” she created the music by herself - playing or looping all the instruments, overdubbing her vocals in rich harmonies - yet somehow simulates the spontaneous interplay of a live jazz group. The songwriter and producer Georgia Anne Muldrow calls herself Jyoti - a name bestowed on her by Alice Coltrane - for her forays into jazz. The momentum hardly ever lets up on “RTJ4” the problems it targets have been all too vivid in 2020. Run the Jewels - Killer Mike and El-P - uphold a worthy, now-vintage style of hip-hop, with densely and aggressively produced tracks and rhymes that are declaimed rather than moaned, for songs that address broader issues between boasts. A Summery Surprise: “Un Verano Sin Ti,” Bad Bunny’s newly released fourth studio album was inspired by an expansive spectrum of Caribbean music. Studying Bad Bunny: Carina del Valle Schorske, a writer of Puerto Rican descent, spoke of her experience profiling the reggaeton artist for The Times.His Journey to Success: Bad Bunny’s ascent coincides with a tumultuous, pivotal moment in Puerto Rican and United States history.Debut Album : Bad Bunny’s “X 100PRE,” released in 2018, speaks to the fluidity of contemporary Latin music, blending several genres and vocal approaches.Inside the World of Bad Bunny The Puerto Rican artist has come to dominate global pop music on his own terms.
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